Frog’s Favorite Movie Monologues

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Peter Finch in “Network”

I don’t have to tell you things are bad. Everybody knows things are bad. It’s a depression. Everybody’s out of work or scared of losing their job. The dollar buys a nickel’s worth. Banks are going bust. Shopkeepers keep a gun under the counter. Punks are running wild in the street and there’s nobody anywhere who seems to know what to do, and there’s no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TVs while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that’s the way it’s supposed to be.

We know things are bad – worse than bad. They’re crazy. It’s like everything everywhere is going crazy, so we don’t go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is: ‘Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won’t say anything. Just leave us alone.’

Well, I’m not gonna leave you alone. I want you to get MAD! I don’t want you to protest. I don’t want you to riot – I don’t want you to write to your congressman, because I wouldn’t know what to tell you to write. I don’t know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you’ve got to get mad. (shouting) You’ve got to say: ‘I’m a human being, god-dammit! My life has value!’

So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell: ‘I’m as mad as hell, and I’m not gonna take this anymore!’

I want you to get up right now. Sit up. Go to your windows. Open them and stick your head out and yell – ‘I’m as mad as hell and I’m not gonna take this anymore!‘ Things have got to change. But first, you’ve gotta get mad!…You’ve got to say, ‘I’m as mad as hell, and I’m not gonna take this anymore!‘ Then we’ll figure out what to do about the depression and the inflation and the oil crisis. But first, get up out of your chairs, open the window, stick your head out, and yell, and say it: ‘I’m as mad as hell, and I’m not gonna take this anymore!

Robert Duvall in “Apocalypse Now”

You smell that? Do you smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning. You know, one time we had a hill bombed, for twelve hours. When it was all over I walked up. We didn’t find one of ’em, not one stinkin’ dink body. The smell, you know that gasoline smell, the whole hill.  Smelled like… victory. Someday this war’s gonna end…

Marlon Brando in “On the Waterfront”

Remember that night in the Garden? You came down to my dressing room and you said ‘kid, this ain’t your night. We’re going for the price on Wilson’… You was my brother, Charlie. You shoulda looked out for me a little bit so I wouldn’t have to take them dives for the short-end money. I coulda had class.  I coulda been a contender. I coulda been somebody, instead of a bum.  Which is what I am. Let’s face it. It was you, Charlie.

Julia Roberts in “Erin Brockovich” 

Oh see, now that pisses me off. First of all, since the demur we have more than 400 plaintiffs and, let’s be honest, we all know there are more out there. They may not be the most sophisticated people, but they do know how to divide and $20 million isn’t s–t when you split it between them. Second of all, these people don’t dream about being rich. They dream about being able to watch their kids swim in a pool without worrying that they’ll have to have a hysterectomy at the age of twenty. Like Rosa Diaz, a client of ours. Or have their spine deteriorate, like Stan Blume, another client of ours.

So before you come back here with another lame-ass offer, I want you to think real hard about what your spine is worth, Mr. Walker. Or what you might expect someone to pay you for your uterus, Ms. Sanchez? Then you take out your calculator and you multiply that number by a hundred. Anything less than that is a waste of our time. By the way, we had that water brought in special for you folks. It came from a well in Hinkley.

Charlie Chaplin in “The Great Dictator”

I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness, not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed.

We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge as made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all.

Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish.

Soldiers! Don’t give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don’t give yourselves to these unnatural men – machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don’t hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don’t fight for slavery! Fight for liberty!

In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security.

By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness. Soldiers, in the name of democracy, let us all unite!

Hannah, can you hear me? Wherever you are, look up Hannah! The clouds are lifting! The sun is breaking through! We are coming out of the darkness into the light! We are coming into a new world; a kindlier world, where men will rise above their hate, their greed, and brutality.

Look up, Hannah! The soul of man has been given wings and at last he is beginning to fly. He is flying into the rainbow! Into the light of hope, into the future! The glorious future, that belongs to you, to me and to all of us. Look up, Hannah. Look up.

Robin Williams in “Good Will Hunting”

So if I asked you about art, you’d probably give me the skinny on every art book ever written.  Michelangelo, you know a lot about him.  Life’s work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I’ll bet you can’t tell me what it smells like in the Sistine Chapel. You’ve never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you’d probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can’t tell me what it feels like to wake up next to a woman and feel truly happy.

You’re a tough kid. And I’d ask you about war, you’d probably throw Shakespeare at me, right, “once more unto the breach dear friends.” But you’ve never been near one. You’ve never held your best friend’s head in your lap, watch him gasp his last breath looking to you for help. I’d ask you about love, you’d probably quote me a sonnet. But you’ve never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn’t know what it’s like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn’t know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms “visiting hours” don’t apply to you.

You don’t know about real loss, ’cause it only occurs when you’ve loved something more than you love yourself. And I doubt you’ve ever dared to love anybody that much.

And look at you… I don’t see an intelligent, confident man… I see a cocky, scared shitless kid. But you’re a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You’re an orphan right?

You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally… I don’t give a shit about all that, because you know what, I can’t learn anything from you, I can’t read in some fuckin’ book. Unless you want to talk about you, who you are. Then I’m fascinated. I’m in. But you don’t want to do that do you sport? You’re terrified of what you might say. Your move, chief.

Marlon Brando in “The Godfather”

You talk about vengance. Is vengance going to bring your son back to you or my boy to me? I forgo the vengance of my son. But my youngest son had to leave this country because of this Sollozzo business. So now I have to make arraingments to bring him back safely cleared of all these false charges. But I’m a supersticious man. And if some unluck accident should befall him, if he should be shot in the head by a police officer or if should hang himself in his jail cell, or if he’s struck by a bolt of lightning… then I’m going to blame some of the people in this room… and that, I do not forgive. But, that aside, let say that I swear, on the souls of my grandchildren, that I will not be the one to break the peace we have made here today.

Ellen Burstyn in “Requiem For a Dream”

I’m somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they’ll all like me. I’ll tell them about you, and your father, how good he was to us. Remember? It’s a reason to get up in the morning. It’s a reason to lose weight, to fit in the red dress. It’s a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I’m alone. Your father’s gone, you’re gone. I got no one to care for. What have I got, Harry? I’m lonely. I’m old.

Ah, it’s not the same. They don’t need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.

Tommy Lee Jones in “No Country For Old Men”

I was sheriff of this county when I was twenty-five. Hard to believe. Grandfather was a lawman. Father too. Me and him was sheriff at the same time, him in Plano and me here. I think he was pretty proud of that. I know I was. Some of the old-time sheriffs never even wore a gun. A lot of folks find that hard to believe. Jim Scarborough never carried one. That the younger Jim. Gaston Boykins wouldn’t wear one. Up in Commanche County. I always liked to hear about the old- timers. Never missed a chance to do so. Nigger Hoskins over in Batrop County knowed everybody’s phone number off by heart. You can’t help but compare yourself against the old timers. Can’t help but wonder how they would’ve operated these times. There was this boy I sent to Huntsville here a while back. My arrest and my testimony. He killed a fourteen-year-old girl. Papers said it was a crime of passion, but he told me there wasn’t any passion to it. Told me that he’d been planning to kill somebody for about as long as he could remember. Said that if they turned him out he’d do it again. Said he knew he was going to hell. Be there in about fifteen minutes. I don’t know what to make of that. I surely don’t. The crime you see now, it’s hard to even take its measure. It’s not that I’m afraid of it. I always knew you had to be willing to die to even do this job – not to be glorious. But I don’t want to push my chips forward and go out and meet something I don’t understand. You can say it’s my job to fight it but I don’t know what it is anymore. More than that, I don’t want to know. A man would have to put his soul at hazard. He would have to say, okay, I’ll be part of this world.

David Carradine in “Kill Bill Vol. 2”

As you know, l’m quite keen on comic books. Especially the ones about superheroes. I find the whole mythology surrounding superheroes fascinating. Take my favorite superhero, Superman. Not a great comic book. Not particularly well-drawn. But the mythology… The mythology is not only great, it’s unique. Now, a staple of the superhero mythology is, there’s the superhero and there’s the alter ego. Batman is actually Bruce Wayne, Spider-Man is actually Peter Parker. When that character wakes up in the morning, he’s Peter Parker. He has to put on a costume to become Spider-Man. And it is in that characteristic Superman stands alone. Superman didn’t become Superman. Superman was born Superman. When Superman wakes up in the morning, he’s Superman. His alter ego is Clark Kent. His outfit with the big red “S”, that’s the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears – the glasses, the business suit – that’s the costume. That’s the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He’s weak… he’s unsure of himself… he’s a coward. Clark Kent is Superman’s critique on the whole human race.

Morgan Freeman in “The Shawshank Redemption”

Rehabilitated?  Well, now, let me see.  You know, I don’t have any idea what that means.  I know what you think it means, sonny. To me, it’s just a made up word, a politician’s word, so that young fellas like yourself can wear a suit and a tie and have a job. What do you really wanna know? Am I sorry for what I did?  There’s not a day goes by I don’t feel regret. Not because I’m in here, or because you think I should. I look back on the way I was then, a young, stupid kid who committed that terrible crime. I wanna talk to him. I wanna try to talk some sense to him — tell him the way things are. But I can’t. That kid’s long gone and this old man is all that’s left. I gotta live with that.

Rehabilitated? It’s just a word.  So you go on and stamp your form, sonny, and stop wasting my time. Because to tell you the truth, I don’t give a shit.

Viola Davis in “Doubt”

You accept what you got to accept and you work with it. … Well he’s got to be somewhere, maybe he’s doin’ some good too … Well maybe some of them boys want to get caught. … That’s why his father beat him. Not the wine. … I’m talkin’ about the boy’s nature, nun. Not anything he’s done. You can’t hold a child responsible for what God gave him to be. … But then there’s the boy’s nature … Forget it then. Forcing people to say things. My boy came to your school ‘cause they were gonna kill him in the public schools. His father don’t like him. He come to your school, kids don’t like him. One man is good to him, this priest. And does a man have his reasons? Yes. Everybody does. You have your reasons but, do I ask the man why he’s good to my son? No. I don’t care why. My son needs some man to care about him. And to see him through the way he wants to go. And thank God this educated man, with some kindness in him, wants to do just that.

Alec Baldwin in “Glengarry Glen Ross”

Blake: Let me have your attention for a moment! So you’re talking about what? You’re talking about..bitching about that sale you shot, some son of a bitch that doesn’t want to buy, somebody that doesn’t want what you’re selling, some broad you’re trying to screw and so forth. Let’s talk about something important. Are they all here?

Williamson: All but one.

Blake: Well, I’m going anyway. Let’s talk about something important! Put that coffee down!! Coffee’s for closers only. Do you think I’m fucking with you? I am not fucking with you. I’m here from downtown. I’m here from Mitch and Murray. And I’m here on a mission of mercy. Your name’s Levene?

Levene: Yeah.

Blake: You call yourself a salesman, you son of a bitch?

Moss: I don’t have to listen to this shit.

Blake: You certainly don’t pal. ‘Cause the good news is — you’re fired. The bad news is you’ve got, all you got, just one week to regain your jobs, starting tonight. Starting with tonights sit. Oh, have I got your attention now? Good. ‘Cause we’re adding a little something to this months sales contest. As you all know, first prize is a Cadillac Eldorado. Anyone want to see second prize? Second prize’s a set of steak knives. Third prize is you’re fired. You get the picture? You’re laughing now? You got leads. Mitch and Murray paid good money. Get their names to sell them! You can’t close the leads you’re given, you can’t close shit, you ARE shit, hit the bricks pal and beat it ’cause you are going out!!!

Levene: The leads are weak.

Blake: ‘The leads are weak.’ Fucking leads are weak? You’re weak. I’ve been in this business fifteen years.

Moss: What’s your name?

Blake: FUCK YOU, that’s my name!! You know why, Mister? ‘Cause you drove a Hyundai to get here tonight, I drove a eighty thousand dollar BMW. That’s my name! And your name is “you’re wanting.” And you can’t play in a man’s game. You can’t close them. And you go home and tell your wife your troubles.  Because only one thing counts in this life! Get them to sign on the line which is dotted! You hear me, you fucking faggots? A-B-C. A-always, B-be, C-closing. Always be closing! Always be closing!! A-I-D-A. Attention, interest, decision, action. Attention — do I have your attention? Interest — are you interested? I know you are because it’s fuck or walk. You close or you hit the bricks! Decision — have you made your decision for Christ?!! And action. A-I-D-A; get out there!! You got the prospects comin’ in; you think they came in to get out of the rain? Guy doesn’t walk on the lot unless he wants to buy. Sitting out there waiting to give you their money! Are you gonna take it? Are you man enough to take it? What’s the problem pal? You. Moss.

Moss: You’re such a hero, you’re so rich. Why you coming down here and waste your time on a bunch of bums?

Blake: You see this watch? You see this watch?

Moss: Yeah.

Blake: That watch cost more than your car. I made $970,000 last year. How much you make? You see, pal, that’s who I am. And you’re nothing. Nice guy? I don’t give a shit. Good father? Fuck you — go home and play with your kids!! You wanna work here? Close!! You think this is abuse? You think this is abuse, you cocksucker? You can’t take this — how can you take the abuse you get on a sit?! You don’t like it — leave. I can go out there tonight with the materials you got, make myself fifteen thousand dollars! Tonight! In two hours! Can you? Can you? Go and do likewise! A-I-D-A!! Get mad! You sons of bitches! Get mad!! You know what it takes to sell real estate?  It takes brass balls to sell real estate.  Go and do likewise, gents. The money’s out there, you pick it up, it’s yours. You don’t–I have no sympathy for you. You wanna go out on those sits tonight and close, close, it’s yours. If not you’re going to be shining my shoes. Bunch of losers sitting around in a bar. “Oh yeah, I used to be a salesman, it’s a tough racket.” These are the new leads. These are the Glengarry leads. And to you, they’re gold. And you don’t get them. Because to give them to you is just throwing them away. They’re for closers.  I’d wish you good luck but you wouldn’t know what to do with it if you got it. And to answer your question, pal: why am I here? I came here because Mitch and Murray asked me to, they asked me for a favor. I said, the real favor, follow my advice and fire your fucking ass because a loser is a loser.

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Author: SpencerHayes

Biting Social Commentary and Satire.

4 thoughts on “Frog’s Favorite Movie Monologues”

  1. Along the line 1- 미국애들 보면 정말 말도안되는 애도 가끔 있는듯. 정말 정말 뚱뚱한데 항상 -You are okay. You are just a little big. 이러니까. 한국에선 이렇게 남아있을순 도저히 없겠다 싶더라고요.2- 일본이 Extreme 이지만 한국도 남눈 신경쓰고 겸손하고 cnlisstentoy seeking how I’m perceived from others 이 많은듯. Nike Women 캠페인 한 친구가 전세계를 돌며 여자들이 Sports를 어떻게 생각하는지 연구하고 조사했는데 한국에 대해선 For them, for women, sports it’s nothing more than pain and need to do thing to be skinny. They never associate sports with fun, competition, or joy. 3- 나중에 자녀 나오면 전 미국 서부같은 자신감 심어주는 긍정의 환경에서 키워주고 싶어요. 단 겸손함 간직시킨채 이건 집에서 좀 가르치면 되지않을까요 ㅎㅎ4- 지금 한국의 자라나는 학생들에게도 더 자신감 심어주고 싶어요. You are the warrior 라고. 더 나아가 아시아에

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